
God doesn't use us based on what we look like.
He uses us based on the condition of our souls.
- Judith Couchman
Harking back to traditions in early Gaelic Christianity, Celtic interlace represented the way in which all life is woven together. The interlace patterns represented in this design symbolize the idea that the afterlife (heaven) and this present world (earth) intersect creating a pattern that, at least for now, only God the Creator sees the whole of.
Another use of religious symbolism is seen in the repetition of the four isolated background squares in each corner. This design feature suggests a relationship to the idea of the “foursquare gospel” (meaning a good foundation for one's faith), terminology borrowed from the Biblical book of Revelations. To make the quilt shown in this post I used a dark purple reproduction fabric from P&B for the background, with a Michael Miller Asian print and one of Northcott's Quilt for A Cure(TM) fabrics as the bands. Machine quilted in a random free-motion swirliness.
The combination of these fabrics, I think, is visually striking but also speaks to diversity -- reminding me that there are many different people with many different backgrounds, talents, and gifts who come together to make up the beauty of the body of believers.
So far this year the best producing tomato vine in my garden has been the Matt's Wild Cherry.
Roughly the size of a dime, or smaller, they are prolific. The plant is a bit all over -- I'm harvesting these little wild ones off towers that were supposed to be supporting other tomatoes. The vine bends over, grows sideways, stretches out into the yard... and makes more tomatoes. More and more tiny tomatoes.Fast, simple, delicious. Life is good.